About

Yiannis Roussakis has been living and working around the world since 2004, but his connection with photography began in the 1980s, when he bought his first Zenit analog camera at a flea market in Athens as a teenager. After studying physics and telecommunications engineering, he spent nearly a decade working on large-scale event technology projects before dedicating himself fully to photography in 2012. Since then, Roussakis has exhibited his work in cities including London, Athens, Budapest, Glasgow, Tokyo, Dubai, and Abu Dhabi. He believes in dogs, coffee and companionship. He describes his collage aesthetic as “Carl Jung shaking daiquiris in space.”

UAE Heritage Photo Archive

The UAE Heritage Photo Archive is the result of more than a decade of dedicated photographic exploration across the United Arab Emirates. It is an ongoing body of work that captures the rhythms, rituals, and quiet poetry of desert life, cultural celebrations, and everyday moments that define the living heritage of the region.

What distinguishes this archive is its intention to reveal the humanity at the core of Emirati culture. These are not simply images of tradition preserved, but moments where lived experience and identity intersect, unguarded and alive. From camel festivals and desert gatherings to the subtle gestures of daily life, the photographs document practices that are both rooted in history and constantly evolving.

The work acknowledges the vast landscapes and enduring customs of the UAE while privileging the people who animate them. The desert is not a backdrop but a living participant in the narrative. Light, movement, and stillness become companions to those within the frame. Through this archive, the ordinary becomes extraordinary in its capacity to convey belonging and continuity.

The UAE Heritage Photo Archive exists at the intersection of documentary and contemplation. It respects the integrity of its subjects while inviting viewers into an intimate encounter with culture as it is lived, not staged. The photographs do not present heritage as something static to be observed from a distance, but as something present, evolving, and deeply human.

"Live Like This" Collage Series

Live Like This is a collage series that resists immediate interpretation. It asks to be felt first, somewhere at the back of the mind, before it is understood. The images operate in that brief moment where intuition meets recognition, where something feels familiar but refuses to fully explain itself.

The work draws from the visual language of mid-century advertising, pop culture, propaganda, art history, and cinema. These references are not treated as nostalgia or quotation, but as active material. Icons, figures, and gestures are lifted from their original contexts and repositioned into new visual environments, where logic loosens and meaning begins to drift. What emerges is a world that feels almost recognizable, yet persistently off-axis, like a memory you trust but cannot quite verify.

Nostalgia plays a role here, but not a sentimental one. Rather than looking backward with longing, Live Like This uses the past as a lens to examine the present. The collages function less as time capsules and more as quiet critiques. They ask why certain images, ideas, and promises refuse to disappear and why they resurface, altered, in moments that feel distinctly contemporary.

Much of the work is built on interruption. Corporate symbols wander into dreamlike landscapes. Figures from black-and-white advertisements collide with saturated, surreal backdrops. At these points of friction, the images move beyond visual wit and into something more reflective. Playful on the surface, the collages are ultimately concerned with how we assemble reality from fragments, cultural, emotional, and historical.

Formally, the series embraces restraint. The compositions aim for clarity rather than excess, relying on the relationship between elements rather than their quantity. Meaning is created through contrast, contradiction, and placement. The work makes its observations quietly, without instruction or moralizing.

Live Like This exists comfortably in ambivalence. It is ironic without cynicism, introspective without obscurity, and strange without being inaccessible. It reflects a contemporary condition shaped by borrowed images, filtered narratives, and inherited expectations. The viewer is not asked to decode the work, only to recognize something of themselves within it.

TIMELINE

2025 - Liwa, Western Region UAE - Art project on local cultural heritage and environment
2023 - Collective Exhibition, “Creative Solitude”, Dogma Athens + MACART Culture Space, Athens, Greece
2022 - Solo Exhibition, "LIVE LIKE THIS", MACART Culture Space, Athens, Greece
2020 - Shinwa Contemporary Art Auction, Collective, “This Is Not a Drill”, Tricera Art Gallery, Tokyo, Japan
2019 - Solo Exhibition, "Storytellers", FN Design Gallery, Al Serkal, Dubai, UAE
2018 - Solo Exhibition, "Million Street", FN Design Gallery, Al Quoz Festival, Al Serkal, Dubai, UAE
2018 - Solo Exhibition, "Million Street", FN Designs Gallery, Gulf Photo Plus Photo Week, Al Serkal, Dubai, UAE
2017 - Solo Exhibition, "Songs for Everyone", Etihad Modern At Gallery, Abu Dhabi, UAE
2017 - Publishing collaboration with Monda Gallery UAE (Al Serkal Cultural Foundation, Kinokuniya Bookstores Dubai, etc)
2017 - Collective exhibition of selected work, UR Gallery, Nation Towers, Abu Dhabi, UAE
2016 - Solo Exhibition "Million Street", Art Moments Festival, Várkert Bazár, Budapest, Hungary
2016 - Collective Exhibition, Art Market Budapest, Etihad Modern Art/Hybrid Art Management, Budapest, Hungary
2016 - Solo Exhibition "Million Street", Etihad Modern At Gallery, Abu Dhabi, UAE
2016 - Collective Exhibition, "Kodak Nation", No White Walls Art Show, Fairmont Bab Al Bahr, Abu Dhabi, UAE
2015 - "Secret Landscapes" selected by Etihad Airways for all double deck A380 aircrafts First Class lounges
2015 - Collective Exhibition, Dubai World Cup - The Meydan Hotel, Horse Racing Club , Dubai, UA
2015 - Collective Exhibition, "Human Condition", No White Walls Art Show, Fairmont Bab Al Bahr, Abu Dhabi, UAE
2014 - Collective Exhibition, "Art Souq", Abu Dhabi, UAE
2014 - Collective Exhibition, No White Walls Art Show, Fairmont Bab Al Bahr, Abu Dhabi, UAE
2014 - Prix de la Photographie Paris PX3 - Professional Category / Portraiture - Bronze Award 3rd Place
2013 - Permanent exhibit at Etihad Modern Art Gallery, Abu Dhabi, UAE / Resident Artist
2013 - Commissioned by UAE Government to provide local heritage imagery in all Embassies and Consulates worldwide
2013 - Solo Exhibition, "Archetype"- Art Hub, Abu Dhabi, UAE
2013 - Solo Exhibition "Secret Landscapes"- Etihad Modern Art Gallery, Abu Dhabi, UAE
2013 - Solo Exhibition "Grand Mosque" - Etihad Modern Art Gallery, Abu Dhabi, UAE
2012 - "Huts at Sur, Oman" - Commended photo/Open Category, 2012 Sony World Photography Awards
2012 - Sony World Photography Awards Exhibition, Somerset House, London, UK
2012 - Solo Exhibition, "Dreamt I Was Walking On Earth" - Katakouzenos Museum, Syntagma Square, Athens, Greece
2012 - Collective exhibition - 60 Years, 60 Artists (Diamond Jubilee of HRH Queen Elizabeth II) - Virginia Galleries, Glasgow, UK
2012 - Merchant City Festival - pop up exhibition in various locations in the city, Glasgow, UK
2011 - Collective exhibition - Virginia Gallery, Merchant City , Glasgow, UK
1992 - Collective exhibitions in Patras and Athens, Greece (under the aegis of Plato Rivelis/Athens Photography Cycle)

HH Mohamed bin Zayed Al Nahyan at exhibition opening in Abu Dhabi

CNN Feature

The National, UAE

https://www.thenational.ae/arts-culture/the-road-to-riches-al-dhafra-festival-s-million-street-becomes-focus-of-a-new-photo-exhibition-1.178019?videoId=5586140233001